Monet Haystacks Series (1890-1891)

The Monet Haystacks series of work is a prime example of his unwavering drive to capture light and information technology's relationship to an object or scene and how that lite changes both during the 24-hour interval and throughout the year.

Claude Monet would spend considerable fourth dimension painting the same field of study matter over and over again and has many series of canvases to his name.

The Water Lilies is probably the about recognized of his these collections and the largest as information technology spans some 250 canvases.

However, Monet'southward haystacks painting are held in very high esteem inside the art earth every bit being some of his finest work admitting not too known every bit the water lilies.

Some of his latter piece of work such as The Water Lilies and Japanese Span and Monet Creative person'southward Garden did not feature a sky line or horizon and had a much narrower focus.

Whereas the haystacks painting were much larger scenes and often independent the horizon, rolling countryside and tree lines in the distance.

Monet Haystacks

As the name suggests the bailiwick matter of the Haystacks series are stacks of hay or wheat post-obit the harvest.

Monet had to convince a local farmer close to his abode in Giverny to allow him to access the fields over a extended period of time that spanned several seasons.

He worked tirelessly for roughly 18 months betwixt 1890 and 1891 with all of Monet's paintings being no more than 3 kilometers from his house in the French countryside.

Very few of the paintings feature a single haystack with the bulk having two or three private stacks present.

Non just where the haystacks painted at varying parts of the solar day to capture the differences in light but others were also painted across different seasons.

The bulk were painted in late spring and through the summer.

All the same, Monet did complete some canvases during the winter and they feature the touch on of both the lower winter sun and the snow on the basis.

The speed at which the light changes during the wintertime gave the artist detail problem and many individual pieces had to be attempted on multiple occasions to capture the same light again on a different mean solar day.

A similar approach he would utilise on the Rouen Cathedral series of paintings

Monet was famous for his ability to work on multiple canvases all on the same twenty-four hour period often for no more an hour or and then on each individual one.

He would routinely accept his assistant bring many dissimilar works that had been started previously from his studio back out into the fields so that he could choose one to work on providing that the current lighting weather condition were like to when information technology was started.

The reason behind this was that light and color changed dramatically throughout the day particularly when dealing with an object such every bit a haystack that casts a considerable shadow in the foreground.

The Haystacks series have some of the well-nigh vibrant lord's day sets that Monet e'er painted.

In recent years some of the series have fetched record prices at sale with and was sold by Sotheby's for $110.seven one thousand thousand making information technology ane of the most expensive impressionist paintings e'er sold.

The majority of the 25 pieces in Monet's Haystacks serial now reside in public galleries rather than private collections.

conleywhasuff.blogspot.com

Source: https://www.artst.org/monet-haystacks/

Share this post